Martin Pavey

Director: Ben Wheatley

Director: Ben Wheatley

You can almost hear Wheatley cackling with glee at some of the movie’s most outlandish sequences, with Clint Mansell’s gorgeous, giallo-tinged score intertwining with Martin Pavey’s throbbing sound designs, like some vast sonic mycorrhiza. The result absolutely demands to be experienced on the biggest screen possible in a darkened auditorium with the sound turned up to 11, engulfing the viewer in its deliciously dark spell.

Mark Kermode Guardian

Director: Caroline Katz

Director: Jamie Patterson

Director: Ben Parker

Director: Nick Gillespie

Director: Brandon Cronenberg

...much of the film is characterized by an eerie stillness and a distinctive sense of hovering dread.   Reason

Dazzling with its impeccable sound design and visual aesthetic.   Home

Director: Chino Moya

Director: Richard Redwine

Director: Jamie Patterson

Director: Sidharth Srinivasan

Director: Peter Strickland

Martin Pavey’s woozy sound design, enfolds the film like a duvet spritzed with chloroform.   Telegraph

...the film’s sound design is its most remarkable element – whether it’s rustling cloth or unnerving chatter that builds to a deafening crescendo.    LWL

Directors: Mike Ahern & Enda Loughman AKA Daddy

Director: Ashley Thorpe

Director: Ben Wheatley

Director: Jamie Patterson

The Cobbler's Lot

Director: Peter Strickland

Director: Ben Wheatley

Free Fire achieves and sustains its sense of carefully orchestrated chaos for nearly a full hour, augmented by aural wizard Martin Paveys intricate sound design. - Variety.

This is one of the best sound-designed films in quite some time, and calls for surround-sound to be truly felt. - cutprintfilm.com

Martin Paveys spectacular sound design, will have you ducking for cover as bullets whizz past your ears. - fandom.wikia.com 

Director: Alice Lowe

Director: Ben Parker

Director: Jim Hosking

Director: Ben Wheatley

Director: Nick Gillespie

Director: Steve Oram

Director: Peter Strickland

Every rustle of fabric is heightened; every frill and soap bubble captured in a plane of focus so shallow you daren't breathe in case you disturb it. 

The Telegraph *****

G Is For Grandad

Director: Jim Hosking

B Is For Badger

Director: Julian Barratt

Director: Ben Wheatley

One of the films most striking qualities is its address to our ears. In Martin Paveys sound design, everything floats unmoored, dialogue has the same sonic status as the wind or the eerie music. 

The Independant 

Director: Elliot Goldner

Director: James W. Griffiths

BAFTA Best British Short Film 2014

Director: Ben Wheatley

B Is For Badger

Director: Julian Barratt

G Is For Grandad

Director: Jim Hosking

Director: Sean Hogan

Director: Ben Wheatley

The impressive sound design by Martin Pavey gives everything a brilliantly tense quality, and the smart jump cuts keep even these seemingly simple domestic dramas edgy.

Screen Daily

Martin Pavey's sound design is so unnerving it scared the bejeezus out of our cats! 

Reelingreviews

Director: Ben Wheatley

Director: Martin Pavey

Director: Johan Kruger

Director: Ulrike Kubatta

Director: Omar Khan